12 Films That Have Stayed With Me

Recently, I was tagged in a Facebook post to rattle off 12 films that have stayed with me.  The instructions were A.) Not too think about it too hard and B.) To only use one film per director.  Obviously, the point of this blog entry goes against Rule A., but, I just thought this was too cool of a thing to pass up (plus, my buddy Richard Diaz gave me the idea of breaking each film down and why they're so important to me).  On with the list, shall we?

 
1.) Dawn of the Dead – the fact that I wrote one of my college papers on why I love this film so much speaks volumes.  To me, it goes together with me the way oxygen does…it’s just a simple part of me.  From the first time I saw this film, as a wide-eyed 5yr old who dug the sounds and images of Michael Jackson’s Thriller, to the time I rediscovered it as an 11yr old and falling head over heels for it, to ultimately meeting many of the film’s creators and visiting many of its filming locations. 

There’s a sense of comfort and familiarity that goes along with this film; it’s unmistakable soundtrack like a sweet lullaby or calming force.  In short, Dawn never gets old for me!

2.) Rocky IV – this was the first film I ever saw in a theater and, even though I was only 3yrs old, I still have very vivid memories of seeing it.  Both of my parents telling me that it was like watching a really big TV and that I had to be quiet (a rule that I’ve never forgotten nor broken) as they piled their coats up on a seat so that I could see.  I sat there in pure amazement, ignoring my parents as they offered me popcorn, candy, or a drink.  The only time I broke my fixed attention was…when I fell asleep.  BUT, I do clearly recall the scene of Apollo visiting Rocky at his home with his intentions to fight Drago. 

Perhaps one of the first albums I ever owned was the soundtrack to Rocky IV (I’ve since gotten it on CD and vinyl now too); each song inspiring me to climb mountains and beat up Russians.  It’s safe to say that, yes; this is another one that never gets old for me.

3.) Indiana Jones And The Temple of Doom – while I can’t say for sure whether I saw this or Raiders of the Lost Ark first, this one has always held a special place in my heart.  Sure, a lot of people would choose Raiders over Temple of Doom, but not me.  Maybe I saw a little of myself in Short Round, as I day-dreamed about going on adventures with one of my first childhood heroes, Indiana Jones.  Maybe it’s the borderline horror movie elements that creep their way throughout the story and set pieces; admit it, the Temple of Doom itself, with its towering Khali statue is incredible!  Speaking of which, who doesn’t love a lei made from human skulls and a grass skirt made from severed human arms??  Plus, John Williams’ score is fantastic in this; sure Raiders has some incredible themes on its own, but Temple of Doom has its titular piece that places during the human sacrifice sequence….if I had a band, that music would totally be our intro theme! 

As if further proof was needed of just how deeply ingrained Temple of Doom is in my psyche, as a kid, every time I’d see a rope or wire bridge, I’d INSTANTLY want to run/play on it because of the movie.  Hell, to this day, I can’t not see a suspension foot-bridge and not want to cut it in the middle and drop twenty or thirty advancing bad guys on either side of me into the waters below!

4.) Rocky – why yes, I am including two Rocky movies…different directors.  Next to Indiana Jones, Rocky was an early childhood hero to me (thanks mostly to Rocky IV).  As a kid, I remember seeing all the Rocky movies at various points, often getting them confused with one another – no thanks to the previous endings being repeated at the start of each sequel.  However, I didn’t really fall in love with the original film until high school.  I saw and still see a lot of myself in the Rocky character.  I’ve always felt like an underdog – especially in elementary school and, to some extent, in high school where I was considered popular and pretty much everyone liked me.  “His whole life was a million to one shot” . . . my million to one shot was going to college and becoming the first person in my family to do so an earn a degree.  Much like Rocko training for the big fight with Apollo, I busted my ass during my final semesters at Rutgers University (another instance where the Rocky IV soundtrack came in handy…listening to it as I studied for my absolute final exam literally before I walked over to take it!). 

In life, I’d also consider myself an underdog; sort of marching to the beat of my own drum and never really finding myself fitting in with the so-called status quo (whenever I tried to do so, it came off disingenuously). 

5.) A Nightmare on Elm Street 4:  The Dream Master – some of you may say “the sequels sucked! Freddy became a wise-cracker instead of a skin-carver!”  While this may be true to a fault, the first Nightmare film I ever saw was either Nightmare 3 or Nightmare 4.  In fact, this was the one that I remember seeing TV spots for around its release.  Regardless, it’s always been the one I’ve felt closest to.  The kids in it are all great and, to me, are realistically fleshed-out instead of the cardboard stereotypes you’d see in other horror franchises of the time.  Actually, they’re all kids I either wanted to be or at least hang out with!  Lisa Wilcox’s transformation from shy Alice to ass-kicking Dream Master is a great, believable arc.  Danny Hassel’s Dan reminds me of the jocks I was friends with in high school.  Andras Jones, as Rick, is the kinda dude I’d hang out with and/or secretly want to be.  To this day, I’m not afraid to admit that I still have a crush of Brooke Theiss as Debbie.  Haha.    

As for Freddy….well, this is MY Freddy.  As a kid, watching the entire series on VHS, I always felt that the first two films (especially the original) had Freddy “all wrong”.   From the sleeves with no stripes and hobo look (and voice) in Nightmare 1 to the general all-around evil nature in Nightmare 2, it all felt like the filmmakers were still trying to perfect the character. 

Plus…that soundtrack!  At the time, The Fat Boys and “Are You Ready For Freddy” was my jam.  There’s not a time that goes by where I don’t play Dramarama’s “Anything, Anything (I’ll Give You)” and not want to work out or kick some ass at something! 

6.) Back To The Future – growing up in the 80s and early 90s and being your average American boy, it’s safe to say that Marty McFly was a dude you were required to look up to and emulate!  In my eyes, anyone with a skateboard or riding a skateboard was Marty McFly.  Even though I have very fond memories of seeing Part II and Part III in the theater, it’s the first film that solidified my love for the series.  Marty was just so cool in pretty much every situation and always outsmarting Biff!  Maybe I saw some of that in myself, since I was never a big, muscular brute and I always thought I could charm or talk my way out of potentially bad situations.  Plus, what kid at that time didn’t think the DeLorean was the raddest car of all time or who didn’t want to rock out on a guitar like that?  Why yes…I did play air guitar on a broom to “Johnny B. Goode” many, many times.

7.) Aliens – I can still vaguely recall the first time I saw Aliens on TV, through the lenses of a pair of 3D glasses.  I kept switching from one eye to the other, making the picture either totally blue or completely red.  The thinking of a 5yr old, right?  Of course, another early memory revolving around Aliens was, or course, the accompanying arcade game released in 1990 . . . loads of fun that one!   Anyway, as a film, Aliens is exactly like a rollercoaster thrill-ride!  It was never “scary” to me, but always a fun ride with memorable characters – who didn’t want to be Hicks or even Drake?  In the early 90s, instead of just playing “guns” or “war” with my buddies, we’d play Aliens or Predator (especially when we get toy mini-guns!).  I was so obsessed with Aliens that I remember one night during a snowstorm, which was almost guaranteeing no school the next day, I took an old pair of greyish pants and colored black camouflage all over them to resemble the Marines’ gear!  True story.

Around 1992 when Alien3 came out, I managed to tape Aliens off of Request Pay-Per-View, which was for some reason airing it as a free movie.  Of course, I missed the very beginning and so the tape that I always watched -- until I bought the first DVD boxset in 1999 or 2000 – always started with the Marines rushing formation for inspection as they prepared to board the Dropship.  Also, don’t even get me started on the toys from Kenner….had them all…well, most of them.  Some of the mutant, hybrid Aliens were a bit too goofy-looking for my taste as the line started to die out.  In fact, when I first heard there was going to be a toy line from Kenner, I daydreamed of what the figures would look like – almost exact recreations of the movie, though the finally released line (based in part on an unproduced cartoon series) still fit the bill for me. 

Today, it’s one of those movies that I can quote verbatim and, in any given situation, I tend to throw out a line or two . . . I still say “I’m on it” just like Hudson after Hicks gives him orders later in the film!

8.) Michael Jackson’s Thriller  - “But this isn’t a film…” you say?  Bullshit.  Of course it is.  The reason for its inclusion on my list is pretty simple:  it was my exact introduction to all things Horror and monsters.  Being born in 1982, Michael Jackson was part of my being and the Thriller album as a whole was a huge part of that.  I can still vividly recall watching the Thriller music video in pre-school in 1985/1986 and being terrified of the were-cat monster (which I always thought was a werewolf anyway) and not really scared by the “monsters” in the second half of the short film . . . of course, then I saw Dawn of the Dead and my entire notion of zombies (and, most importantly, what they are and what they can do) made Thriller absolutely terrifying to me!

Let’s not forget that ending either . . .still creeps me out!!   Hell, even though I’m almost 34yrs old, just the intro of the song itself still kinda creeps me out.  Those memories and emotions I felt while watching Michael Jackson’s Thriller way back when I was knee-high to a duck have stayed with me for evigt!  And so, it’s because of Michael Jackson’s Thriller that I can trace the roots of my Horror fandom back to today.

9.) The Crow – the first time I read about this film was in an issue of Comics magazine and, while I’m not 100% certain, I’m pretty sure it was before Brandon Lee’s tragic death.  At this point, I had seen Showdown in Little Tokyo and Rapid Fire and so I knew Brandon was “Bruce Lee’s son” and that he was an all-around badass just like his father before him.  My interest was definitely there from a photo in the mag of Lee, in character with the make-up and trench coat.  This would be a cool movie.  And then he died and an entirely different vibe swept over the film and its release.

I was obsessed with The Crow . . . even though I absolutely hated the way people would point out to me that I was.  To this day, I kinda still loathe the word “obsessed” mainly for this very reason.  Ultimately, what attracted me to The Crow so much was that it was a story about love (which, given that I was 11/12yrs old when it was released and I was starting to have “those feelings”, I was looking for love) and revenge (hey, there’s still a part of me that would love nothing more than to turn the tables on those who tormented and wronged me).  This is a film that came along in an awkward period of my life…if I ever had a Goth or emo phase, this was it….grew my hair out (mostly because I wanted to be Vincent Vega in Pulp Fiction and/or because Metallica had long hair), wore a lot of black (mostly because of Metallica though) and started to immerse myself in music and movies and was basically finding my own identity.  Ultimately, I never owned a black trench coat, wore white pancake makeup, dyed my hair jet black, painted my nails black, or wore eye makeup…so yeah.  Of course, I was The Crow for Halloween that year, but that was about it.     

The film itself was awesome . . . it was one of the first movies that I rented and double-taped (as it wasn’t yet available to own yet) and got smacked in the face with macrovision copy-protection!  So, even though the tape copied, the picture constantly went from very bright to very dark throughout the entire running time!!  But, at least I had the movie!!

Speaking of music, this is one of the last great soundtracks that I can listen to front to back with no complaints.  Every track is great and, more importantly, is actually in the damn movie!  Nope, none of this “music from and inspired by” bullshit here! 

Over the years, my “obsession” with The Crow seemed to have waned a bit as there was a time where I literally didn’t watch the film or listen to the soundtrack for, at least, 10 years.  It’s one of those films (and soundtracks) that I can revisit and fondly recall those earlier emotions as well as continue to enjoy the story.

10.) Pulp Fiction – another film that I can quote endlessly (and still throughout lines from in almost everyday conversation) with an outstanding soundtrack from start to finish, this is one for the ages as far as I’m concerned.  Actually, the first time I heard of the movie was by seeing the theatrical trailer at the start of The Crow VHS that I had copied!  At first, when I saw Bruce Willis, I thought it was going to be a Die Hard sequel and that Travolta was the villain . . . imagine that scenario for a moment, will you?!  Anyway, that trailer kinda blew me away and I knew right there that I needed to see this film.  Ultimately, I missed it in the theater, but I do remember staring fondly at its theatrical poster in the light box at the movie theater that I’d eventually work at 4 years later! 

As a matter of fact, I had the soundtrack for Pulp Fiction almost 21 years ago to this day!  Yup…bought the soundtrack before I ever saw the movie and I can remember wondering aloud how some of the dialogue bits fit into the film – did Samuel L. Jackson play a preacher man (or at least pose as one) who got shot up?!?!  It’s safe to say that I wore that CD out because I actually did and took it back to The Wall music store, under their “Lifetime Music Guarantee” and got a fresh disc.  Side note:  how many of us just switched out cassette or CD cases with these famous blue stickers when something happened to the music?  Haha.  

My local video store was awesome; they had a killer Horror section and I never got carded for the stuff I’d rent – whether it was I Spit On Your Grave or, in this case, Pulp Fiction.  I actually reserved the very first rental of the VHS at my store and I remember being excited as hell when the day finally arrived that I could go pick it up!  As soon as the end of the day bell rang at school that day, I walked my narrow butt the mile or so down the road to the video store – straight from school.  I even remember waving to my teacher as he drove by while I was walking along the shoulder of the road!  My life changed that afternoon when I brought the movie home . . . in fact, one of my buddies was over and watched it with me.  I think both of us heard many words and phrases that neither had heard before (which we soon added to our vocabulary of course!) and, if I’m not mistaken, he got in trouble with his parents for watching the movie at my house! 

Good times!

11.) The Adventures of Milo & Otis – I’m pretty sure I didn’t see this in the theater, but it was one of the first movies that my mom rented for me on Request Pay-Per-View (along with Elvira: Mistress of the Dark).  To this day, it cracks me when people view my Film Aficionado collection listing and this is at the top since it’s alphabetical! 

Before I was all about blood, guts, zombies, and heavy metal thunder, I was a cat person (and still am, though I don’t have any pets any longer).  This movie and its story of a curious cat and a pug-nosed pup has always spoken volumes to me about the true meaning and values of friendship.  No matter whom you are or what your differences may be – even if you’re a cat and he or she is a dog – it doesn’t mean that you can’t be the best of friends!  Everything is just too cute about this film; from the adventure that Milo & Otis go on and all of the other characters they meet along the way, to the late Dudley Moore’s excellent narration.  One day, I’d love to see the original Japanese version of this film, though I’m sure it doesn’t have that great theme song!

12.) Night Patrol – to some, this is a film that is bottom of the barrel, lowest of the low-brow comedy at its worst.  To me, it’s one film that I will NEVER forget seeing for the first time in my life!  It was a New Year’s Eve party at my cousin’s house – 2002 into 2003 – and one of his friends had brought it over for a screening.  I was literally in pain from laughing so hard at those guys laughing at the movie!!  Everything about it friggin’ KILLS me!  The diner scene is worth the price alone, but just do yourself a favor and check it out . . . especially if you’re into or get the comedic styling of The Unknown Comic!

The Thing (1982) - A Crazy Brainfreeze Theory

First and foremost, as it shouldn’t need to really be said, there will be spoilers in this piece…so if you haven’t seen this film, stop reading NOW!

John Carpenter’s The Thing has become one of the all-time cult classics, often revered by fans as a perfect film – and rightfully so, as it pretty much is.  The 1982 film was initially killed at the box office by E. T., as moviegoers preferred a friendlier alien that summer, but in the decades since, it has rightfully found its audience through home video.  In debates about remakes, The Thing is usually cited at the top of the list, due to its skillful expansion on the original source material of John W. Campbell, Jr.'s Who Goes There?

The success of The Thing can be attributed to many different factors; its brilliant script by Bill Lancaster, the jaw-shattering practical special effects by Rob Bottin, its claustrophobic Antarctica setting and, most importantly, its top-notch cast of characters.  Each actor, from Wilford Brimley to Keith David to Kurt Russell brings their A-Game and ups the ante of suspense, making the audience constantly second-guess “who is The Thing?”

Even today, fans still debate the ambiguous ending where Russell’s MacReady and Keith David’s Childs sit across from one another in the burnt out remains of US Outpost 31, their guard still up as to which one of them may be The Thing.  Of course, the general consensus is that Childs is The Thing as he shows no breath coming from his mouth.  This theory is only further cemented by the fact that Russell is the star of the film and there’s absolutely NO way the hero could actually be the villain right?  There have even been fan theories that MacReady is aware that Childs is The Thing as he offers him a drink – which may or may not be gasoline and not truly liquor (as The Thing wouldn’t be able to tell the difference). 

But…what if R.J. MacReady was actually The Thing all along?

Think about it; The Thing’s ultimate goal is to survive by any means possible.  As any great horror/sci-fi protagonist would, MacReady surely goes to great extremes to ensure his survival by the films’ final reel.  Throughout the film, MacReady desperately tries to convince his companions that he is truly human and that one of them is actually The Thing; I’m not saying that one of them ISN’T…but that they’re also The Thing.  If MacReady was The Thing as well, wouldn’t the ultimate sign of self-preservation be to expose and eliminate a lesser version of itself – in a basic sacrificial lamb fashion?  In this particular case, the blood test sequence and, especially the scene where Bennings Thing has its freak out in front of everyone out in the snow. 

Each time the group believes to have exposed and killed The Thing after it has copied one of their own, the extermination is not in vain as it’s for the Greater Good of The Thing’s survival.  This also adds a win for MacReady Thing, as its number of antagonists dwindles with each reveal and destruction.  

 

If The Thing is all about adapting and learning, why couldn’t MacReady Thing assimilate quicker and learn the blame game that is being played out amongst the characters?   After all, the computer game of chess that MacReady is playing when we first meet him is shown for a reason.  He’s either under the radar or making himself stand out as the “leader” by organizing the tests and finger-pointing those who are The (lesser advanced) Things.  If MacReady was The Thing, hiding in plain sight and orchestrating the events of the film would be a flawless cover.

 

Ultimately, the greatest ruse that The Thing could do would be to fool not only all the men at US Outpost 31, but also the film's audience for the past 30+ years!

NIGHTMARE 2 Ain't So Bad...from a certain point of view

This is NOT the right logo...signaling that we're in for a very different Nightmare...

For all intents and purposes, A Nightmare on Elm Street Part 2 is frankly, the bastard son of the Elm Street series.  With its seemingly blatant disregard for rules established in the original film, its lack of the famous Bernstein score, and overall lapses in logic throughout its 87 minute runtime, some fans would even put it below Freddy’s Dead!  

Perhaps the biggest complaint about Nightmare 2 is the pool party massacre and how it should be impossible for Freddy to be attacking a bunch of kids who seemingly aren’t asleep! 

Time has been kind to Freddy’s Revenge though, as the film has finally found its audience through its genre-bending “final boy” structure and its blatant homosexual ticks in its characterizations and screenplay.  Fans now seem to embrace the fact that the film’s hero is a boy (who may or may not be struggling with sexual identity issues – it’s really the viewer’s call), a plot choice that was actually pretty daring and bold in 1985, in the height of the “Final Girl” string in Horror.  

Recently, I’ve watched the film through a different perspective and, honestly, it makes for a much better and more entertaining film.  In short, Nightmare 2 is a film where Freddy isn’t actually in it – not quite like the body-hopping of Jason Goes To Hell though – and doesn’t really do any of the killings in it.

Let me explain….

Jesse Walsh is the new kid in Springwood.  Even if one wanted to dig deeper into his struggles for sexual identity and that he’s actually in the closet, another way to view the character is that he’s just trying to find his identity as “the new kid”.  Sure, he’s got a hot girl who’s into him and a solid friendship with the likes of Ron Grady (again, the homosexual angle could go in this direction), but just sticking to the “new kid” angle also works here for the sake of this piece. 

Mark Patton as Jesse Walsh

Freddy has been dead and lying dormant since the events of Nightmare 1, as Jesse has after all moved into Nancy Thompson’s old house.  He’s looking for a way back to power and he’s found the perfect gateway through Jesse Walsh.  Now, don’t get me wrong:  there are nightmares in this film though they’re mostly just affecting Jesse himself and this is the way that Freddy is able to get to him and, ultimately, drive him to murder.

"KILL FOR ME!"

That’s right…Jesse is the killer here.  He killed Schneider, Grady, and everyone at Lisa’s pool-party.  In fact, he even tells Lisa that Freddy tried to make him kill his little sister at one point.  Freddy himself even orders Jesse to “kill for me!” when he offers him the glove in the basement.

Given all the blood on him, it's obvious that Jesse sliced up Schneider.

During the scene where Schneider is killed, Jesse idly stands by in the shower, seemingly watching as the coach is dragged in and strung up before a hilariously fake-looking Freddy (actually a stuntman) wobbles out from the mist to finish the job. In fact, Jesse is overcome by the mist of the shower and “Freddy” emerges.  This explains why this particular Freddy looks so fake (obviously because it’s not Robert Englund), but also because it’s NOT Freddy.  Jesse, wearing Freddy’s glove, kills Schneider.  The appearance of Freddy here is only suggesting that it’s actually him who is doing the killing; under Freddy’s influence, this is how Jesse views himself as he kills….more on this when Grady is killed.

This looks more like a kid in a Freddy Halloween costume than it does Robert Englund!

Throughout the film, there are some rather odd things that happen in Jesse’s house – lightning striking the toaster, the overwhelming heat from the furnace (i.e.: Freddy’s burning fire increases as his power does), and exploding parakeets being some of the standouts.  These strange occurrences can be chalked up to Freddy’s power; obviously the entire family is not asleep and dreaming when their parakeet bursts into flames.  These events are all courtesy of Freddy’s flexing his muscles and tightening his grip of Jesse throughout the film.  This would also explain the human-face dogs and gnarly-face cat at the power plant during the last reel, too.

Again, Jesse’s struggle with his sexual identity could come into play once he flees Lisa’s pool party and sneaks into Grady’s bedroom.  Grady himself emphasizes this with “…and you want to sleep with me”.  However, for the sake of this piece, let’s again not look at it from this angle; instead just look at as THIS is who Freddy is willing Jesse to kill next – after all, he did try to get him to kill his little sister earlier, but Jesse was able to overcome that urge and win that battle. 

The fact that Grady falls asleep while he’s supposed to be vigilant is what finally brings Freddy out and causes Jesse to kill him.  In this scene, Jesse is wrestling with Freddy’s influence to kill Grady; this why Jesse is in such excruciating pain throughout.  All of the crazy body mutilation that the audience sees happening to Jesse in this scene is what he’s seeing happen to himself in his own mind as he figuratively is becoming Freddy…there’s no other way to explain how Freddy can emerge from Jesse’s mutilated body as if he were dropping a robe!  Grady, of course, is terrified by the way Jesse is acting as he puts on Freddy’s glove and prepares to attack; again, Freddy’s influence has interfered and locked Grady’s bedroom door. 

This is actually Jesse ready to attack Grady, who is terrified by his friend's sudden mood swing!

Once Grady is killed, a bloodied Jesse who is literally wearing Freddy’s glove sees Freddy in the mirror – this is how Jesse sees himself now that Freddy has won and made him kill again.    

It's Freddy whom Jesse sees himself as in his reflection.

One cool thing about Freddy's appearance from this scene on through the end credits is the fact that he's not wearing his glove (because Jesse has it obviously) and instead, has his blades protruding from his fingertips.  Seeing this as a kid always sort of bugged me...but now, I get it in the sense that it's showing Freddy in his most primal, evil form -- not unlike his look in Wes Craven's New Nightmare, where he's got blades coming out of all five fingers.

Back at Lisa’s house, Jesse returns exclaiming “I killed Grady” – because he actually did, which is why he is covered in his friend’s blood.  Like so many times before, he struggles with Freddy’s power and ultimately loses before attacking Lisa and the pool party.   When Freddy stands up in the living room, Lisa is seeing Jesse Walsh under the complete and total influence of Krueger.  She is NOT actually seeing Freddy.  Here, Jesse is again wearing the glove and trying desperately to kill her next!  The audience is only seeing Freddy for the rest of the film from this point on because, let’s face it, we’re watching A Nightmare on Elm Street Part 2 and we came to see Robert Englund – not some bloodied kid wearing the famous glove.

Jesse shows up, covered in Grady's blood...because he just killed him.

This is still Jesse that Lisa is seeing, but for the sake of entertainment, the audience sees what Jesse sees -- Freddy Krueger.

Freddy’s power manifests itself once more at the pool-party in various forms; locking the door to Lisa’s parents’ bedroom, turning up the heat in the pool, making the hotdogs explode, causing fires to randomly spring up throughout.  But again, it’s 100% Jesse Walsh (albeit covered in blood and in complete possession by Freddy) running around by the pool, slashing and killing party-goers. 
 

Picture Mark Patton running around in this scene, slashing up all these bros!

When Freddy stands in front of the fire, arms extended, and proclaims “you are all my children now”, imagine Jesse saying this.

Easily the most iconic image from Nightmare 2.

In the eyes of everyone at the pool party, Lisa’s dad included, Jesse has broken bad and has been killing everyone in sight!  Lisa’s dad is ready to shoot the kid to end the massacre, but she herself intervenes because of her love for Jesse; this elicits an expression of shock and surprise from Jesse/Freddy because A.) Jesse sees, from within Freddy’s grip, that Lisa may be able to help him and B.) Freddy sees her as an immediate threat to his control over Jesse – to which he responds by casually leaving the scene and heading to more familiar territory where he’ll have the upper hand. 

In short, any time that Freddy is on-screen and interacting with any characters other than Jesse Walsh, imagine that it’s actually Jesse himself.  I’m not sure if this theory has existed in fan circles or not, though it likely has, but it was certainly a new outlook on the film for me!  This perspective opened my eyes and imagination, ultimately resulting in me appreciating it in a much richer light.  It also adds a different and darker element to Freddy’s character – we do see brief hints of him possessing characters like Dan during the climax of Nightmare 5 and Maggie in Freddy’s Dead (the Broke Jay/burnout guy in Freddy vs. Jason doesn’t count though, as that film itself doesn’t count). Give it a try and I’m sure you’ll agree!

For more info on Nightmare 2, check out Mark Patton's upcoming documentary Scream, Queen!  My Nightmare on Elm Street  

Master Of Puppets: 30 Years of Riffs and Damage Jackals

The first song from Master of Puppets that I ever heard was "Welcome Home (Sanitarium)"; it was the third song on the Seattle '89 video from the Live Shit:  Binge & Purge boxset.  Through the remainder of that live video, I was introduced to "Battery", "Master of Puppets", and finally "The Thing That Should Not Be".  For whatever reason, while I liked the songs, they didn't immediately click with me.  I had yet to buy the Puppets record on cassette and listen to the album in full.  At that point, I'd say I was still a "new Metallica" fan in every sense of the phrase. 

The following summer, while on a family vacation (with my best friend, Chris, along for the ride), I'd finally gotten on board.  

Some time after getting the Live Shit boxset, I vividly remember a phone call from Chris where he was praising the Puppets record, having just gotten it himself.  He even played part of the title track for me over the phone (this is not the way I'd recommend listening to a song).  Again, I wasn't interested...maybe because the songs were too long?

Back to that summer road trip though; during that entire trip, Chris was letting me wear some of his Metallica shirts -- Ride The Lightning being one of them, as I only had an original Damage, Inc. shirt that I'd found while rooting through the left behind belongings of the my grandmother's neighbors!  On that trip, we visited Delaware's own Fort Delaware.  During a tour of the fort's ground and empty, cavernous halls, I recall Chris singing the lyrics to "Sanitarium", as the sights we saw resembled just that!  For the rest of that trip, I borrowed Chris' cassette and digested it completely -- I was hooked!

Battery - the acoustic intro was interesting.  As the beautiful melody swelled and gave way to that crushing intro riff, it was ON for me.  While I don't recall my initial reaction to the song's lyrics, the line "cannot kill the family / Battery is found in me" always stood out for me.  As a pre-teen struggling to find his own identity and be a part of "something" (I wasn't a jock, a thug/pothead/rapper kid, or a nerd), I finally found my family.  Back then, I remember fondly struggling to sing along to the chorus since it was so damned fast!  The Live Shit Mexico City '93 version was an early, instant favorite though, that still ignites the same early feelings with its galloping riffs and tempos.  Today, the song gets me pumped when I'm needing some motivation!

Master Of Puppets - Let's put this out there right now:  I was never a druggie or a pothead.  Never was and never will be.  In the 7th grad, a lot of my friends got into that stuff because, I guess, they wanted to be seen as cool or fit in with the older kids (this was, after all, the height of Gangsta Rap and Dr. Dre & Snoop Dogg were all over MTV).  It never appealed to me, though I did try and fit in with my own friends and their older friends -- some of who were the very same kids who bullied and tormented me in elementary school...no idea why I'd want to hang with those assholes, right?  Acceptance I guess?  

Anyway, on the posi side of this coin, there's always been my older cousin Tim McMahon.  He's been the older brother I never had and I've always looked up to him, even now as an adult in my thirties!  He introduced me to Hardcore Punk music and, more specifically, the Straight Edge lifestyle through various great bands and even his own band, Mouthpiece.  This lifestyle doesn't do drugs, smoke cigarettes, or drink booze.  All that indulgence just never appealed to me and still doesn't to this day.  It was in the 7th grade when I started identifying as Straight Edge, so discovering this song and getting its full impact at that time made perfect sense.

While its lyrics aren't specifically about that positive lifestyle, they paint a horrible, painful picture of what I can only imagine to be a never-ending nightmare of a life.

The laughter at the end of the song still scares me a bit!  The line "now your life is out of season" (specifically the way Hetfield sings it on the Seattle '89 video) always gives me a chill.  For sing-alongs, it doesn't get much better than the call and response of the verses and choruses to this track as far as I'm concerned.  Riff-wise?  There's an unbeatable main riff derived from the intro riff.  The solos and entire middle section are beautiful and crushing in the same breath.

The Thing That Should Not Be - if you don't know by now, Horror movies are kinda my thing, right?  "Thingy" is a musical Horror film.  Monster riffs that obliterate your eardrums and even your bones, this song has it all.  The echo effects on the vocals (especially during live performances) always strike me as evil and moody as hell.  One of the first import CDs I ever bought was an interview disc where Lars Ulrich discusses the soon-to-be-released Puppets record.  In it, he describes this track as being related to "The Call of Ktulu" from Ride The Lightning and how "Thingy" was a neighbor of Ktulu's who lived a few caves down from him.  That comical image has remained with me ever since!  VERY heavy riffs and tempo that make me wanna stomp!

Welcome Home (Sanitarium) - not as great as "Fade To Black", but still a favorite.  The intro and main riff are incredible and I find myself humming them all the time in any given situation throughout the day.  Lyrically, I can't relate exactly, but their sense of rising up from oppressors rings true to my elementary school bully days for sure...especially "Leave me the fuck alone" from classic live versions.

Disposable Heroes - epic story-telling.  Amazing, galloping riffage.  I instantly see the images portrayed in the lyrics while singing along. 

Leper Messiah - going back to that interview disc with Lars from '86, I love the images he paints of Jim and Tammy-Faye Baker types profiting off others who blindly follow and give their riches to greed in the name of being holy.  Great riffs, too.  The ending of "Lie...Lie...Lie..." is pretty sick, too.

Orion - to quote Cochise from The Warriors, "Magic.  A whole lotta magic."  While it's an instrumental, the riffs and melodies speak for the lack of lyrics.  When "Orion" is playing, I'm usually in a reflective mood, reminiscing days gone by and face I don't see anymore.  This one stirs up great memories and thoughtful smiles for me.  The middle section, of course, is the highlight...pure Cliff Burton.  There is so much emotion in this section whether it's the album version, the guitar/bass jams from the early '90s and '04 (or the other jams from '93), a proper live version, or the Through The Never sound check version.  Much like the photo montage over the end credits of Cliff 'Em All, I'm always thinking about friends or family members who have passed on while listening to this part of the song.  Also, riff-wise, Hetfield is a beast here.

Damage, Inc. - "fuck it all and fucking no regrets" . . . that line pretty much sums up the entire song and Metallica's general attitude (to this day).  As a fan, it sums up what being a fan means too; we're a family of jackals, rabid to the very end.  In some perverse way, both "Battery" and "Damage, Inc." resonate the Metallica Family message the same way that "Nothing Else Matters" does these days.  In elementary school and high school, this was the song that got me vibed up to take on the tasks at hand.  I'd easily rank this as my favorite song (depending on the day) or at least in the top 3 or 5.  The only (!) time I saw it played live, I just about lost my voice during the taped intro of Cliff's bass solo!

Mortal Remains (2013)

Do you remember Karl Atticus?

Mortal Remains first bled on my radar a couple of years ago while on vacation in Evans City, PA.  I was asked that very same question I posed to you, dear reader, earlier.  "Do you remember Karl Atticus?"

Some herald long-forgotten, fringe filmmaker Atticus as a purveyor of the modern Slasher film with his last film, Mortal Remains, being a topic of discussion and debate for decades, even after it had fallen under the banner of a "lost film".  Bizarre tales from its filming and even stranger occurrences when it was once screened for the public serve as a launching point into the abyss.

Horror fans since birth, filmmakers Mark Ricche and Christian Stavrakis set out to uncover the truths about Mortal Remains and Karl Atticus in this riveting docu-thriller.  Through interviews with those who knew and worked with him, Ricche and Stavrakis find themselves closer and closer to Atticus and his hallmark film, with each clue they unearth.  

This film itself carries with it a sense of foreboding dread as Ricche and Stavrakis plummet deeper into their search and inch closer to a horrifying truth.  From the outset, it doesn't feel like such a great idea to be digging up something that maybe should have stayed lost.

Throughout the film, with each new discovery, both men go back and forth as to whether they should continue the film.  Though when one of them appears obsessed with finishing the search, it's quite clear what their decision is.  

In today's Horror world, the idea of unearthing a lost or forgotten film is something that a lot of genre fans can easily get behind.  Let's face it, we live in an era now where film as a medium is disappearing and we're unfortunately losing source materials for far too many pictures that may have only seen the light of drive-in movie theater projectors forty or more years ago.  With that said, I'm right there with our heroes as they search for clues about Karl Atticus!

Mortal Remains is the best genre film that you haven't seen yet!  If you're a Horror fan, you owe it to yourself to check this one out.

See it!

For more info and to purchase the film, check out Cryptic Pictures website!

Count Yorga, Vampire (1970)

One of my all-time favorite studios for Horror and Cult films is, hands down, American International Pictures.  So many of my favorite, late-night Horror and Blaxploitation films were released by AIP throughout the late 60s all the way up through the 1970s.  If a film I'm watching has the classic AIP logo at the start, I know it's going to be a great time!

Count Yorga, Vampire is no exception.

The film's original title card.

Admittedly, I'd always sort of bypassed both this film and its awesome sequel, The Return of Count Yorga, though I can't really say why.  In fact, my very first encounter with the Count Yorga character goes all the way back to my elementary school days when I'd endlessly borrow a particular book from the school library, Jeff Rovin's "The Encyclopedia of Super Villains".  This book was a treasure trove of, not only comic book baddies, but also film -- the main reason I loved it so much was because of its entry on Freddy Krueger.  Each villain listing had a cool mini-biography of the character it was discussing.  Count Yorga was listed, along with a photo . . . for some reason though, I thought it was stupid and dismissed it.  

Boy was I wrong!

Count Yorga, Vampire is a bit of a slow-burn film, beginning with an ominous narration about vampires as we're treated to a coffin arriving in the port of Los Angeles and heading for a creepy mansion via flat-bed truck.  Next, we're introduced to Yorga himself (played by the late Robert Quarry), leading a seance arranged by Donna (played by Donna Anders) in the hopes of contacting her mother, who has recently died.

Robert Quarry in fine form as the titular vamp.

Among the folks in the seance is Erica, played by Judith Lang.  In a not too unfamiliar plot point, Yorga takes a liking to her and eventually sinks his teeth into Erica, turning her into a pseudo-slave, obsessed with his charm.  

There are some genuinely creepy moments in this film!  One of which is the look of Yorga in vampire mode...

These fangs can cause "a variety of damage", as they say.

The main thread of the film revolves around Yorga trying to get to Erica again and turn her into the Undead so that she can be with him forever.  Of course, Erica's boyfriend Paul (played by Michael Murphy) is going to stand for this and he, along with Donna's boyfriend Michael (played by the film's producer Michael Macready) and Dr. James Hayes (played by Roger Perry, who also appears -- in a different role -- in the Yorga sequel) team up to kick some vampire ass.  

The fun really begins when our heroes infiltrate Yorga's mansion and characters are revealed to be dead or undead; Yorga uses Donna's mother, who is now a vampire herself, as a pawn of his evil!  

Sometimes, Good doesn't always triumph over Evil.

The final reel sees Michael, with a catatonic Donna in tow, frantically trying to escape Yorga and his vampire brides.  

What can I say?  I'm sucker for good-looking vampire dames!

Preceding Carrie by six years, the film ends with a truly terrifying shock moment reminiscent of Michael Jackson's "Thriller"!  This seems to have worked out pretty well, as the sequel also ends on a similarly shocking note.

One of the more interesting anecdotes about this film is that it was originally intended to be more of a hardcore porno film!  Shot independently under this guise, once the film was picked for distribution by AIP, all of the erotic scenes had to go; this is pretty evident in the sequence where Yorga has Donna's vampire mother engage with another vampire bride (the scene just cuts before anything happens on-screen).  

This is a very confusing element of Count Yorga as a whole, as Robert Quarry was eventually groomed as AIP's next Horror star, set to take over the mantle from Vincent Price.  Quarry would go on to star in Yorga's sequel, as well as playing villain to Vincent Price in Dr. Phibes Rises Again, Sugar Hill, and Madhouse (which proved to be the last AIP film for both Price and Quarry).

Despite the erotic scenes being removed, there's still a decent amount of gore present.  Although tame by today's standards, Count Yorga, Vampire delivers the goods for fang fans!  In what is probably the film's most disturbing sequence, Erica is found feeding off of a dead kitten!  This particular sequence was originally heavily trimmed, though it shows up completely uncut in MGM's DVD release under the "Midnite Movies" banner as well as the recent (and limited) Twilight Time bluray.

The film is still readily available, as I said on both DVD and bluray on Amazon, depending on what you'd like to spend.  

Definitely see it!